Earthworks and ruins at Old Bolingbroke, west of Spilsby, are all that remain of thirteenth-century Bolingbroke Castle, believed in the seventeenth century to be haunted by an animal ghost. Gervase Holles, in
Shilbottle: Blue Cap, Cutty Soams and the Haunted Mines of Northumberland Beneath the coalfields of northern England, folklore developed in an environment where the supernatural and the brutally practical were never very far apart. A miner descending underground entered a
Traditionally, ghosts are often associated with hidden treasure. Sometimes it is said that they have forgotten where it lies and are searching desperately; sometimes, that they feel guilty over depriving the living
The name of Centurion’s Copse, a wood on a hillside east of Brading, is a corruption of ‘St Urian’s Copse’, Urian being an eighth-century Breton saint to whom a small medieval chapel
The ruins of Basing House are all that remains of a sixteenth-century mansion, built on the motte of a former Norman castle. During the Civil War it was the home of Charles
One of the traditional motives for a ghost to appear is to reveal the fact that it had been murdered. This is well illustrated by an anecdote recorded by Roy Palmer about
This claims to be the most haunted village in Gloucestershire (though PAINSWICK might well say the same), with many phenomena centred round Prestbury House (now a hotel) and a nearby street called
A remarkable number of ghostly traditions have been collected in and around this town in the mid twentieth century. A typescript in the Gloucestershire Record Office, compiled in 1962 by Kenneth Cooke,
Phantom buildings are not so common in British folklore as ghostly riders or coaches, but they are occasionally mentioned. One such tale, which was told to the folklore collector Ruth Tongue in
Ghost stories which involve the tragic doom of star-crossed lovers are likely to date from no earlier than the nineteenth century, and probably circulated among people with a literary background, not among
One winter afternoon in the 1930s, the painter Olive Snell set out for Cold Ashton to visit a friend living there. She had been advised to set out early, as it would
According to a story recounted to the folklorist Roy Palmer, a cat haunts the junction of Broad Street and High Street, but it is not precisely a ghost, for it has never
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