Windsor Castle Twelfth-century castle built by William the Conqueror said to be haunted by four of the British sovereigns who are buried there. The royal Ghosts of King Henry VIII, his daughter
Here, as at PIMPERNE, the ghost of a dog dragging a rattling chain is said to run invisibly through the village square, heading for the hills. According to an informant in about 1969: The dog had apparently been well treated
The ghost of a young woman dressed in pale grey or white was said to haunt one of the bedrooms of Bramshill House. The Cope family, who for many generations owned this
Traditionally, ghosts are often associated with hidden treasure. Sometimes it is said that they have forgotten where it lies and are searching desperately; sometimes, that they feel guilty over depriving the living
The name of Centurion’s Copse, a wood on a hillside east of Brading, is a corruption of ‘St Urian’s Copse’, Urian being an eighth-century Breton saint to whom a small medieval chapel
The ruins of Basing House are all that remains of a sixteenth-century mansion, built on the motte of a former Norman castle. During the Civil War it was the home of Charles
One of the traditional motives for a ghost to appear is to reveal the fact that it had been murdered. This is well illustrated by an anecdote recorded by Roy Palmer about
This claims to be the most haunted village in Gloucestershire (though PAINSWICK might well say the same), with many phenomena centred round Prestbury House (now a hotel) and a nearby street called
A remarkable number of ghostly traditions have been collected in and around this town in the mid twentieth century. A typescript in the Gloucestershire Record Office, compiled in 1962 by Kenneth Cooke,
Phantom buildings are not so common in British folklore as ghostly riders or coaches, but they are occasionally mentioned. One such tale, which was told to the folklore collector Ruth Tongue in
Ghost stories which involve the tragic doom of star-crossed lovers are likely to date from no earlier than the nineteenth century, and probably circulated among people with a literary background, not among
One winter afternoon in the 1930s, the painter Olive Snell set out for Cold Ashton to visit a friend living there. She had been advised to set out early, as it would
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