
Hand of Glory
The Hand of Glory is one of the most sinister charms in European magic folklore. It was believed to be the severed and magically preserved hand of a hanged murderer, used in black-magic spells, burglary charms and witchcraft lore.
According to tradition, the Hand of Glory had the power to render people afraid, powerless, speechless or locked in a deep sleep. Thieves and burglars were said to use it before breaking into homes, believing that its flame would keep the occupants unconscious or immobilised while they stole money and possessions.
The Hand of Glory belongs to the darker side of folk magic: a place where corpse lore, gallows superstition, lunar timing, necromantic symbolism and criminal intent all come together.
Meaning of the Name
The term Hand of Glory is believed to derive either from the French main de gloire or from mandrogore, meaning mandrake, a plant long associated with gallows, death, magic and the bodies of executed criminals.
In folklore, the mandrake was often believed to grow beneath the gallows from the bodily fluids of hanged men. This connection links the Hand of Glory to the same symbolic world: execution sites, murderers, forbidden magic and plants or body parts empowered by death.
Belief in the Hand of Glory persisted into the nineteenth century.
The Hand of a Murderer
The Hand of Glory was ideally the right hand of a murderer.
The most powerful version was said to be severed while the corpse still swung from the gallows. Some grimoires specified that the hand should be cut off during an eclipse of the moon. Because eclipses were rare, lore allowed another option: the murderer’s hand could be cut off on any night while the body still hung from the gallows.
This detail is important. The hand was not merely a severed body part. It was the hand of someone who had committed murder and then been executed. In magical thinking, the criminal’s violent life, the public execution, the gallows and the liminal moment between life and death all charged the hand with occult power.
Preparation of the Hand
The ritual preparation of the Hand of Glory was elaborate and macabre.
The severed hand was wrapped in a piece of the corpse’s burial shroud and squeezed dry of blood. It was then placed in an earthenware pot or jar and pickled for two weeks in a mixture of salt, long peppers and saltpeter.
After this, the hand was wrapped in vervain, an herb traditionally believed to repel demons. It was then dried, either by being laid out in the sun, preferably during the dog days of August, or by being baked in an oven.
Once dried, the hand was transformed into a magical light.
Dead Man’s Candles
There were two main ways to turn the Hand of Glory into a working charm.
In one method, candles were placed between the fingers. These were known as “dead man’s candles.” They were made from the fat of the hanged murderer, from the fat of another executed murderer, or sometimes from the fat of a pony. Sesame and virgin wax could also be included. The wick was made from the dead man’s hair or from pony hair.
In another method, the hand itself was bled, dried and dipped in wax so that the fingers could be lit like candles.
Once lit, the Hand of Glory became an instrument of enchantment. Its flame was believed to cast a sleeping spell over the household and rob the occupants of speech, movement and power.
Magical Powers
The Hand of Glory was most famously used by thieves.
When the candles or fingers were burning, the Hand of Glory was believed to freeze people in their footsteps, make them powerless, silence them and force them into a deep sleep. Burglars used it before entering homes or buildings, confident that the charm would prevent anyone inside from waking or resisting.
If the thumb refused to burn, it meant someone in the house was awake and could not be bewitched.
This belief made the thumb an omen. A burning hand meant the spell was working. An unlit thumb meant danger.
How to Extinguish It
According to magical lore, once a Hand of Glory was lit, almost nothing could extinguish it.
The only substance capable of putting it out was milk.
The sixteenth-century Dutch Jesuit demonologist Martin Del Rio wrote about this milk remedy in his study of witchcraft, Disquisitionum Magicarum Libri VI, published in 1599. Del Rio told the story of a servant girl who discovered a thief breaking into her employer’s home with a Hand of Glory.
She tried to extinguish the candle with water and beer, but both failed. In desperation, she tried milk, and the flame went out. The bewitched family immediately awoke and caught the thief.
This story probably comes from older folk tales in which a servant girl saves a household from a thief armed with a Hand of Glory. In some versions, she uses milk. In others, she blows out the candles herself.
Counter-Charms Against the Hand of Glory
Homeowners were believed to have their own magical defences against the Hand of Glory.
One counter-charm involved making an ointment from the blood of screech owls, the fat of white hens and the bile of black cats. This ointment was smeared on thresholds, chimneys, window sashes and other possible points of entry.
The purpose was to prevent thieves from bewitching the household with a Hand of Glory.
The symbolism is clear: if the Hand of Glory was a charm of unlawful entry, then the counter-charm was placed on boundaries. Doors, windows, chimneys and thresholds became magically protected against intrusion.
The Hand of Glory and Witchcraft Trials
The Hand of Glory was linked to witchcraft during the witch-hunt centuries.
In 1588, two German women, Nichel and Bessers, were accused of witchcraft and the exhumation of corpses. They admitted that they had poisoned helpless people after lighting Hands of Glory to immobilise them.
In Scotland in 1590, John Fian was severely tortured during his witch trial. He confessed to using a Hand of Glory to break into a church, where he performed a service to the Devil.
These accounts show how the Hand of Glory became part of the larger fear surrounding witches, corpse magic, grave desecration, devil worship and criminal sorcery.
Similar Magical Lights
The Hand of Glory belongs to a wider category of magical lights used by thieves in folklore.
It is similar to other occult lights and charms believed to aid burglary, secrecy, invisibility or unlawful entry. These include raven stones and thieves’ lights.
In each case, light is used in an inverted way. Instead of revealing, protecting or blessing, the magical flame conceals, immobilises and violates the safety of the home.
Symbolic Meaning
The Hand of Glory is a powerful symbol of black magic, death and corrupted power.
It combines several feared elements:
The corpse of a murderer.
The gallows.
The eclipse of the moon.
The burial shroud.
The fat and hair of the dead.
The flame of forbidden magic.
The invasion of the home.
The silencing of the living.
In folklore, the hand is the organ of action. It touches, steals, blesses, strikes, writes, builds and kills. The Hand of Glory is therefore the criminal hand transformed into a magical tool. It is the hand of murder turned into the hand of theft, paralysis and enchantment.
It represents power taken from death and used against the living.
Conclusion
The Hand of Glory remains one of the most disturbing objects in European magical folklore. It was believed to be made from the severed right hand of a hanged murderer, preserved through a grim ritual and lit with candles made from the fat and hair of the dead.
Its purpose was to immobilise, silence and enchant the occupants of a house so that thieves could enter undisturbed. Its flame could supposedly be extinguished only with milk, and its power could be resisted through protective ointments placed on thresholds and entrances.
More than a criminal charm, the Hand of Glory reveals the dark imagination of folk magic: the belief that death, execution, taboo and ritual preparation could transform a human hand into an instrument of supernatural control.
It is a relic of fear, black magic, corpse lore and the haunted boundary between crime and sorcery.
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FURTHER READING:
- Cavendish, Richard, ed. in chief. Man, Myth & Magic: The Illustrated Encyclopedia of Mythology, Religion and the Unknown. New York: Marshall Cavendish, 1983.
- de Givry, Emile Grillot. Witchcraft, Magic and Alchemy. 1931. Reprint, New York: Dover Publications, 1971.
- Leach, Maria, ed., and Jerome Fried, assoc. ed. Funk & Wagnall’s Standard Dictionary of Folklore, Mythology and Legend. New York: Harper & Row, 1972.
SOURCES:
- The Encyclopedia of Witches, Witchcraft and Wicca – written by Rosemary Ellen Guiley – Copyright © 1989, 1999, 2008 by Visionary Living, Inc.
- The Encyclopedia of Magic and Alchemy Written by Rosemary Ellen Guiley Copyright © 2006 by Visionary Living, Inc.

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